How To Draw Cleopatra Face Step By Step

Stride past Pace Guide of How To Describe 3/4 View Face | The Loomis Method | How to Draw Facial Features at 3/four View | Tips and Reminders

If you're looking to have a await back on the cardinal proportions of cartoon a face, do check out our previous article – How To Draw A Basic Portrait . Information technology's a step-past step guide to the fundamentals of basic portrait cartoon. There you will find the very useful proportions for drawing an piece of cake frontal view of the face! It's a skilful intro before learning how to describe three/4 view face.

TABLE OF CONTENTS: Looking for something in particular? Spring ahead using the links below:

What Y'all'll Need
The Loomis Method
Placement of face on your paper
Outlining and dissecting the skull
Laying down the facial features
Photo Examples of How To Draw ¾ View Face

Step-by-step Guide of How To Draw 3/4 View of the Face

Once you take learned the how tos of bones portrait cartoon, it will be a much smoother transition into learning how to draw ¾ view confront. I highly encourage you to try this out as many artists nonetheless prefer to draw portraits at this angle. Try non to limit yourself to just cartoon a frontal view of faces. It's more than challenging but definitely worth it as it gives you more than freedom in your compositions. Here, yous will learn how yous can break down the seemingly complicated man face into more manageable smaller parts.

Continue in heed that there will be foreshortening especially when the head starts tilting upwards or downwards. Facial features go through varying changes and information technology's of import to be observant to those changes. I promise that if you simply keep practicing, you'll eventually go the hang of it. So please don't be discouraged, each obstacle you overcome is a great accomplishment. Merely acquire to be patient with yourself and your progress, give yourself fourth dimension to larn each step. You can do it! But earlier nosotros starting time drawing, let'southward get-go assemble and set up the materials we'll be using.

What You lot'll Need:

A handy sketchbook fabricated of good quality paper and loftier GSM.
Graphite pencil
Ruler (optional)
Kneaded eraser
Reference photo (optional)
Good light source (optional)

The Loomis Method

There are many means and methods of how to draw ¾ view faces, and artists have their ain preferences or develop their own methods. I observe American illustrator, writer, and art teacher Andrew Loomis' method comes with very helpful and very clear instructions. And, can actually be used for practically whatsoever angle. Allow's become ahead and come across the step-by-step procedure he has shared to all of us.

1. Placement of face on your newspaper

First things first, plan out the placement of your discipline'south head on your paper. You don't want to finish working on a fully rendered drawing, and then suddenly realizing it looks oddly unbalanced. A good composition can make a huge difference. For a handy guide to creating center-catching compositions, bank check out our other Toolkit articles – Gilt Rules of Composition and Tricks of the Limerick Trade . Lots of great tips and techniques wait you there!

*The subject occupying about ii/three of a page on the **B5 Artist's Sketchbook from ZenART Supplies**.*

Okay, now that y'all accept the placement down, let's continue to our next step of drawing ¾ view face.

ii. Outlining and dissecting the skull

Depict a circle, this will be the upper part of the skull. Now, let's plow that circle into 3D course – into a ball!

Next, let's pierce a pin straight through the ball. This pin volition serve as the grounding for the axis. The pin's head stands for the top of our head. That'south easy to remember!

Now you will divide the ball in 3 sections: the BROWLINE, Middle LINE, and the unlabeled 1 that divides the head into the front end and dorsum part. The MIDDLE LINE is the line that divides the face in half, from the hairline straight downward to the chin. BROWLINE is the brow line, it intersects the Heart LINE and the unmarked line which will afterwards be useful for determining the proper ear placement.

Below y'all can conspicuously see how the BROWLINE follows the angle of where the head is tilted towards. For case, when the head is tilted upward, the BROWLINE is curved up. Similarly, when the caput is tilted downward, it curves downward. This axis-like function of the pin is an important starting point on how to better understand the process of how to depict ¾ view confront.

If you have observed a skull, you'll take seen that yes the tops and backs of our heads are rounded, only the sides – where our ears are – are somewhat flatter. This ways that we take to slice off the sides of our ball to replicate this. Usually commencement at the aforementioned level as the sides of our temples downwardly to the base of the ears. Below yous will run across that as a smaller circle, with an added cross-section tilted in the same bending equally the tilt of the head. You'll finish upwards with a shape that looks like a partially flattened ball – similar to a cranium.

3. Laying downwards the facial features

Take a peek below to see how the sliced off parts wait similar even though the other side is out of our view, let's imagine it anyway! To exist able to invisibly run across the subconscious side is an essential part of drawing ¾ view confront. Next, extend the MIDDLE LINE downwards to mark the lower heart part of the face up downward to the mentum where you will be adjustment your facial features. Then, decide where the hairline is on your subject area's face up and mark it, this varies from person to person. Divide the confront from the hairline to the mentum into iii equal parts. Below, the first mark you lot'll run across is for the hairline, followed by BROWLINE for the browline, the 3rd marker for the base of the nose, and finally the last one for the bottom of the mentum.

A. Ears

Let'southward starting time brand sure we place the ear on the right spot, an oddly placed ear can ruin a portrait. The top of the ear is on the aforementioned level every bit the line for the eyebrows, and the bottom is on the same line as the base of the nose. Apply the lines of the lesser correct slice found in the smaller circle as your guide. It is color blocked in dark-green in the drawing above.

The C curve of the ear will not follow a vertical line, but is instead angled backwards closely following the curving shape of the back of the head. Ears too differ for each person, and then just study your reference or model'south ain ears for copying.

B.Eyebrows and Eyes

Measuring from the elevation of the head to the bottom of the mentum, split up the face in half and marker it. That half mark is where the eyes will be, this works best when cartoon ¾ view confront at centre level.

Depending on the shape of the eyebrows of each individual, draw a curving line that aligns with that shape. The tapered end of the right eyebrow is right next to the edge of the smaller circumvolve on the side of the caput. While the left 1 is foreshortened and may even be partially hidden past the bridge of the nose, similarly with the left heart.

To assist yous with the eye placement, mark the bridge of the nose establish at the corners of the eyebrows. Determine the width and the correct angle and connect it to the eyebrows, again this differs from person to person.

Having determined the inner corner of the eyebrows will help a lot when cartoon the eyes. Make sure to depict the optics on the aforementioned horizontal line that you accept already previously adamant to avert drawing eyes at different levels. Both eyes will have similar curvature.

Don't describe the right centre's corner likewise close to the nose. Beginning determine the corner of the heart earlier cartoon the whole centre shape, so you can still hands conform it equally y'all encounter fit. At this bending, the left heart may be partly covered by the nose. Drawing eyes at ¾ view tin can be difficult, but it will go easier as you keep practicing information technology.

Describe your irises and pupils depending on where your subject or reference is looking – at the viewer or elsewhere. The eyelids will be similar to the curvature of the eyes, the thickness will be determined according to each private's own measurements.

*A closer look at a fully rendered 3/four view face drawing. I similar to draw and shade the eyes in detail first and foremost.*

C. Neck

For the cervix, draw a cylinder that connects to the skull, imagine a doll's head that pops into place when attached to the cervix.

For the placement of the sloping back part of the neck that connects to the shoulders, use the same line as the bottom of the chin every bit a marking for the start of the slope. In the images below, the cylinder is fatigued using bluish lines.
The lines that connect the neck to the shoulders aren't straight out apartment, they slope gently downward. Merely, this also varies every bit some people accept more than sloping shoulders while others accept a more hanger-like course.
Finally, y'all tin can draw in the collarbones if you wish, though they don't necessarily announced all the fourth dimension. This depends on the clothing your reference or model is wearing or drawn in. At whatever rate, information technology's ever proficient to know how to draw information technology only in case.

Photo Examples of How To Draw 3/4 View Face

To help you better visualize how to draw ¾ view confront, I overlapped the proportion lines on three photographs besides. First with a unproblematic eye-level 3/4 view face, followed by a downward tilting three/4 view confront, and an upwards tilting 3/4 view face.

Eye-level 3/4 View of the Face

*The lines for the shoulders and collarbones are fatigued using yellow lines. Y'all tin can see that they grade triangular shapes that open towards the cylinder shaped neck.*

Downward Tilted iii/4 View of the Face up

Compare to the photo above: Notice how the brow line, olfactory organ line, and chin line curve downwardly when the head is tilted downwardly. It's not ever clearly visible for the hairline since there are hairstyles that don't clearly show the hairline or even comprehend a large clamper of the forehead, merely the downwards curve also applies there equally well.

Upward Tilted three/4 View of the Confront

*Compare to the photograph earlier this equally well: Now yous can observe that the brow line, nose line, chin line, and hairline all curve upwards like petty hills*.

Here are some reminders that I hope volition assistance y'all out:

Take more than patience, be kind to yourself, and trust the process. As long as you keep trying and practicing, you'll see not bad results in no time.

Draw your proportion lines and guiding lines lightly, having to erase stubborn unwanted lines afterwards on will be one thing less for you to worry about.

Be observant to how the face up and each feature changes depending on the tilt and bending of the head. Ane single face tin can vary in a hundred dissimilar ways, that is the challenge of drawing angled faces. But it gives you more options to choose from.

The Loomis method of drawing angled faces gives you a great foundation for all the dissimilar faces you volition exist drawing from here on out. It's very flexible and can be hands modified to show specific characteristics such equally a wide forehead, a square-ish jaw, broad lips, and other distinct features. And then don't exist afraid to adjust each characteristic to friction match the reference or model's own private features. Afterward all, that's what makes each of united states special.

Attempt to practice drawing each feature separately likewise and in varying angles, this way you can also closely study each part one at a time and how they differ depending on the angle. I withal remember moaning and groaning when our teacher asked us to draw thirty ears from unlike angles and of different people. But now I am sooo grateful that I did those exercises, I will never forget how to draw an ear after that!

Most importantly, have fun and don't forget to celebrate each milestone you achieve!

Which angled face did you desire to describe first? Which angle do you find the most challenging to draw? Practise you lot like to use your own face as your usual reference or exercise yous adopt to have another model to depict from? Let us know what you think, we'd honey to hear dorsum from you. Feel free to exit a comment, and we'll exist happy to reply whatsoever queries you have.

For our next one – Color Meditation – Meditative Painting With Watercolor , practice the fine art of mindfulness and calm through watercolor meditation exercises. Watch out for it! Until then, proceed practicing and have a bully fourth dimension drawing!

— Meet THE Author—

Kathleen is the Wordsmith at ZenART, resident artist and art editor. When God sent a shower of talents, Kathleen made sure she got a basketful of them! She's a visual creative person with practical knowledge on various fields from painting and sculpture, to costume and set up design which comes in very handy when writing nigh various art techniques and theories. She also shares her passion for the arts through teaching. She runs her ain make of handmade wirework jewelry designs.

References:
Loomis, A. (1956). Drawing the Head and Easily.