How To Draw Aimple Dynamic Pose Person

Understanding the figure

To depict a pose correctly, you don't demand to ever carry an anatomy book with you lot. It's not as hard as it seems: observation and exercise are your best tools. If at whatsoever bespeak you become curious about trying something new (which I promise you do), it never hurts to accept a look at that anatomy volume.
Fifty-fifty if your drawing style is far from realistic, the aspects that make a pose interesting and apparent remain the same: strength, rhythm, action lines, structure and perspective.

Observation:

Your closest reference is yourself. If you look at yourself in front of a mirror and first moving, y'all will find that your body works as a single element.

When you raise an arm, the arm is not the merely part of your torso that moves, unlike how the removable extremities of dolls work. The changes in your body don't resemble effigy A, correct? For case, your shoulder also lifts, and many other parts of your body adapt to the movement as in figure B.

This is what ascertainment means: paying attention to the details and characteristics of the body.

Strength and rhythm

Your characters move thanks to their inner strength. They can walk, jump, dance… whatever comes to mind! But unless they are floating in space, it is not the only strength that acts on them, as gravity makes their feet stay on country.

When ii or more forces interact with each other, a rhythm is prepare, which provides residual and sense to the movement.

If your character is pushed to the left, his body will fall in that direction (A), unless he puts upwardly resistance to stand (B).

If the character wants to pull something that refuses to move, his body will lean in the opposite direction. Obviously, once the true cat gives in to the force, your character will fall, as the true cat was what kept him standing.

Strength and rhythm provide a lot of visual information you tin can work with: the weight of your grapheme (1), the balance of his pose (ii) or the lack of it (3).

Activity lines

The action line is the imaginary guide that indicates your character'south movement. It focuses on actions and helps to unify the whole figure.

Below you can see a couple of examples where strength, rhythm and action lines collaborate together.

Example 1:

The grapheme (1) has a relaxed stance, resting on her right arm. In the effigy (2), we can see her action line, which covers her whole torso up to the pes. The shape is slightly similar to an Southward.

We can run into it is a relaxed pose because her weight rests on a single point (3) and all she needs is to proceed the residual with her left pes, which remains taut while the correct i is resting.

Example 2:

The next pose is more dynamic, then there are more things going on in this paradigm.

This fourth dimension you can see 3 action lines, simply the near important are (1) and (ii), the ones that really tell the story. The beginning ane covers the whole figure from caput to toe, and the second one goes in the opposite direction, keeping the balance and forming an X. The third ane simply provides greater stability to the pose.

In this drawing we can see that there is a force that pushes the character in the opposite direction to her gaze. Elements such as the hair, the dress and the dust on the floor suggest that the force comes from the right side, and as these elements are low-cal, they are affected by the speed with which this strength acts.

All the same, this girl wants to overcome this force with her own strength. She has no intention of losing the fight.

Example 3:

This time, our graphic symbol is a baseball game actor. He'southward spinning his body to go plenty momentum and counter the brawl'southward strength to hit it far away. Don't you get the impression that it volition exist a home run even though yous haven't seen how the scene ends nevertheless? It's the magic of anticipation. If you know how to properly handle the forcefulness, rhythm, and action lines correctly, you will exist able to guide the spectator along the path you accept set. This is very important for any comic artist.

It's important that you don't overpopulate your drawing with besides many action lines, because it could confuse the character's intention, make the force become in different directions, and take the emphasis away from the about important activeness.

Construction

The body is quite complex and it is hard to depict right proportions and move away from the second aeroplane. I recommend you shape a base that helps you discern the volume of each element. To exercise this, nosotros will use geometric figures such every bit spheres, cubes and cylinders to represent the construction of the torso.

These figures tin can be freely rotated, stretched, flexed, and twisted according to the pose.

These figures correspond the direction of the dissimilar elements of the body. You must pay special attention to the limits of the joints, since at a certain indicate you have to plow or twist the trunk to proceed moving in that management, changing drastically the pose.

With practice, this process gets simpler. The meliorate you empathize how the effigy works, the fewer guides you lot will need.

Perspective

Perspective turns the 2D plane into a 3D ane and adds more depth and visual richness to the composition than just looking at it from a frontal aeroplane.

The heart level or horizon line represents the actual height of the viewer's eyes (one), and the vanishing points are the lines projected from a point on the horizon (2). The following image has a perspective with two vanishing points with which we tin can appreciate two faces of the figure.

The body is more intricate, but the principle is the same. For example, this figure's feet and hands are smaller due to the perspective, and even suggest us how nosotros should projection the vanishing indicate lines.

Activity poses e'er expect more dramatic when the perspective is exaggerated. Fifty-fifty when the poses are not entirely realistic, the figures seem credible and the scenes await more interesting.

I recommend you to practice and read about perspective every bit much every bit possible, every bit it is non something yous can master in a twenty-four hour period. Analyze every bit many references as you can. Eventually, y'all'll stop upward seeing vanishing points everywhere.

Essential lines

You can speed up and improve your observation skills by cartoon poses using photos or actual people equally a reference and setting a short fourth dimension limit for it. The aim is to capture the essential data of the effigy and, of grade, to draw every bit many poses equally possible.

This exercise will also aid you to increase your confidence when drawing. Don't be afraid to depict the first line, and even if you brand a mistake, avoid erasing the lines. Try to focus and draw make clean, articulate lines.

Below you can see some examples of poses that I have drawn within 45 to 60 seconds:

At commencement, focus on drawing the whole body with polish lines. Then, if you have more time, detail and build the shape better.

Don't exist afraid to draw what yous don't encounter or what is subconscious, as it will give you a ameliorate idea of the effigy's structure.

Try to exaggerate the lines. Information technology makes them softer and more than credible, still crazy it sounds.

Unless the model is in a very rigid posture, try to avert straight lines. The most natural poses are congenital with curves.

I hope these tips accept been helpful!

If you desire to come across more of my work, from these links you can access my social media pages and my portfolio:

https://world wide web.instagram.com/eri_duh/
https://twitter.com/eri_duh
https://www.artstation.com/eridey

Thank you so much for reading this commodity!
– Eridey

Source: https://www.clipstudio.net/how-to-draw/archives/156164

Posted by: cliftonhowles1979.blogspot.com

Share this post